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British architect Richard Rogers designed some of the world’s most iconic buildings, including the famous “Cheesegrater” in London and the famous multi-colored, pipe-covered art center Pompidou in Paris.
Rogers died Saturday night at the age of 88, according to a spokesman for the British Press Association. One of his sons also confirmed his death to the New York Times, but gave no reason.
An Italian immigrant and winner of the prestigious Pritzker Prize in 2007, Rogers, Norman Foster and Renzo Piano were also key members of the “high-tech” architecture.
Together they were pioneers of a hypermodern style that showed machines and technology, overturning aesthetic principles to reveal the functional elements of buildings.
Other notable buildings include the three-towered Lloyd’s of London, which also reflected an exterior style, and the Millennium Dome in London.
He completed his architectural studies at the Yale in the United States in 1962, and met the British Norman Foster.
They returned to England in 1964 and co-founded the architecture company Team 4, which became known for its technology-inspired designs.
In 1968, Rogers met the Italian architect Renzo Piano, with whom he shared an interest in developing flexible, anti-monumental architecture. In the same year, they won a competition to design a new art gallery in Paris, which became the Pompidou Center.
Today it is a landmark of the city, its façade is covered with thick pipes painted in thick colors, and it has stairs and escalators on the outside of the building.
He quickly attracted nicknames, not all of them complementary: “Gasworks,” “The Pompidolium,” “Notre-Dame of the Pipes.”
Rogers carried out some 400 commissions on a route that defined large buildings and horizons characterized by lightweight structures, prefabricated materials and the use of cutting-edge technology.
Its designs include the European Court of Human Rights in Strasbourg, the Potsdamer Platz offices in Berlin, an airport terminal in Madrid and the 3 World Trade Center in New York.
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