‘Tiger King 2’ and a weird rise in documentary sequels

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Moss says he has streamed his documentaries to a wider international audience and has enjoyed the opportunity to explore issues in a documentary format. But, he warns, this is “not the right approach for every story” and “sometimes there has been pressure to spread a story that doesn’t support a multi-section approach.”
What makes a documentary more profitable or attractive than a feature-length documentary? Hard to say. “Netflix doesn’t provide the methodology they use to determine what’s considered successful,” says Dan Rayburn, a media analyst at Frost & Sullivan, a market research firm. “So we don’t really know what’s going on with how one of these streaming services decides what content to do or how long it should take.”
However, we can guess. Rayburn has warned that there is no additional cost to uploading additional content to the Internet during TV hours or in a movie theater for an additional fee. If you have five hours of content and would normally edit it twice, it says, “Why not put it on?” It’s also economical to produce sequels using old footage, and there’s less risk if you have an already established fan. “Netflix doesn’t invent a lot of things, they have the data behind them to show what’s a good investment and what not,” Rayburn says.
But are good investments and good content the same thing? Guggenheim member Matt Wolf, director Spaceship Earth, says the docuseria format works well when there is a “story with enough twists that requires serialization” for the actual crime genre. But, he says, documentarians have historically always filmed hundreds of hours of footage, and now “there is a risk of misidentifying a lot of material for many stories.”
However, both Moss and Wolf believe that the sequels to the documentary can be valuable and a good sign of a healthy industry. “As a filmmaker, I love the idea that characters and stories are so compelling, where when an audience ends up watching a movie or a series, they continue to think about those characters,” Wolf says.
Moss says that every time a documentary is recorded in the present, there has always been the main question: “Where will I end this story?” In today’s world, in theory, stories should never end, as we have seen. The Tiger Kings 3, 4, 5 and 6 plus a Christmas special. “Personally,” says Moss, “I’ve always accepted that things are a little unresolved. And sometimes I just need to move forward emotionally, and it’s good to finish a film and do new work. ” Statue of Boys it was created all of a sudden, but is now developing “not a sequel, a sibling”. Statue of Girls, About the equivalent of young women in the Boys State camp. “We think that’s necessary to continue the conversation,” Moss says.
in the case of Tiger King 2, this interview so far looks like this: “Look at what impact our last documentary had.” But Moss points out that this is not entirely unprecedented. Paradise Lost: The Child Murders at Robin Hood Hills It was a 1996 documentary about the West Memphis Three; It continued in 2000 Paradise Lost 2: Revelations and in 2011 Paradise Lost 3: Purgatory. The immediate sequel began with a collection of news about the first film; du the official trailer for the third film he appeared flattered Entertainment Weekly quote: “We consider movies to be fun entertainment. But from time to time they have the power to change lives. ”
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