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Along with work done in video games, for example World of Warcraft, Irish composer and conductor Eimear Noone made history in 2020 She conducted the orchestra at the Oscars when she became the first woman. No one is surprised to see that the gap between classical music and video games is closing. “A lot of game composers come from the classical world, so it makes sense to take that to whatever we do,” he says.
“It’s very exciting for me to see how many people live as orchestral musicians as live music and as music through their game consoles. I’ve had the privilege of personally meeting tens of thousands of video game fans, and people will tell me, ‘Oh, it’s my favorite song. World of Warcraft, ‘and I’ll say,’ Does that mean your favorite band is the orchestra? ‘ And they will say, ‘Yes, maybe!’ ”
Meanwhile The Land of Silence it’s not a video game production, Bocker hasn’t strayed far from the aesthetics of video games to make it appealing to today’s viewers, at least not in terms of Shimomura’s music. “For me Merregnon: The Land of Silence, this was the direction I wanted to go. Very memorable, accessible and attractive melodies for all the characters and popular themes, etc. ”
Attention is also paid to education The Land of Silence, how similar Peter and the Wolf introduce children to different orchestral instruments. In The Land of Silence, the characters have their own themes and tools. Its protagonist, the orphan Miru, is represented by the cello, his dog, Mako, marimba, and the antagonist, Skissor, by the clarinet. Bocker hopes this will raise questions about the audience’s specific instruments, but he wants to emphasize that the focus is always on entertainment.
“Of course, the education section is important, but we don’t want to leave it too obvious. My main interest is to entertain people and, at best, show how beautiful an orchestra can be, how beautiful sounds can be made, and how entertaining the whole experience can be. ”
Although many in the classical world see the benefits of crossover video games, there are still some video game compositions and purists among classical directors and purists of classical music that do not support the classical repertoire. Grammy-winning producer and director Arnie Roth believes they hold these perspectives.
“Why did they put up these walls? That’s not how people live their lives. I understand and would regret the loss of the classic bases and structure, so it’s important to keep that up, but it’s also important to change and grow, ”he says.
Roth believes that many who attend video game concerts will be greeted with great classical music when they hear it; it’s just a matter of listening to those challenges so they can connect the dots between their favorite video game composers and what inspired them.
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