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New Ryan Reynolds movie, Free Guy, is it not what you would call the light of schtick. After all, it’s a movie about an unplayable character (NPC) in a video game. But the first main gimmick are sunglasses. In Free City, a fictional shooting game in the middle of the story, sunglasses that represent a player: someone who can shoot a bank, someone who can steal a car, someone who can touch a stranger. They are, as Guy (Reynolds) puts it, “heroes.” Similar to the tones in the film They livePlayers ’glasses are like augmented reality specifications in the game, with scores, powers, prey, etc. Sunglasses are a lens that players want to experiment with. Free Citydecodes the metaverse of and its mysteries.
(Spoiler alert: Small spoilers Free Guy continue.)
These shades are pink. Guy, who eventually learns from the audience, is more than an NPC Free City—It is an artificially intelligent code left by the original developers of the game, and it has begun to gain sensitivity. When he piles up his pair of tones, the scales fall from his eyes and he sees his world as a player. The twist, however, is that he is not trying to kill the leaders of his human beings; he tries to make his world a more welcoming environment, free from daily shootings or robberies, where nothing explodes and trolls don’t promise. More than artificially intelligent, it is artificially empathic. “AI leads us to a more utopian interaction, to this idea of agency and unity and to creating agents for change,” Reynolds told WIRED in a recent interview. “I loved that idea. That wasn’t it Terminator or something. That guy becomes sensitive in an open world, in a pretty hostile video game. ”
To be clear, Free City technically it is not a metaverse; the home players in the film do not play on virtual reality headphones. Well, the game is a substitute for being very online: fun, but there is danger in every corner. Guy, for an NPC Free City it is the whole world; as if he were living in a metaverse, but as if he had no equal offline. When he gets his sunglasses, he realizes that it can be a non-violent world, a place where the trash can not be sparked. (One of the film’s most poignant themes: The game’s original developers were building a utopia online, but the corporation that bought it thought no one wanted to play it that way, so it became a shooter.) Guy’s sensitivity stopped crime and correct mistakes. Players who play their anecdotes become viral saviors and question their digital bleeding. Guy’s view of a nice place in Mariah Carey (…) sweet fantasy, sweet, baby / when I close my eyes you come and take me …) feels possible. Nice dream.
Here it is Free GuyThe virtual world strays too far from the real, and its (applaudable) optimism goes too far. Its video game environment and surrounding culture (Twitch streamers, cocky gaming CEOs, overworked developers) seem even more painful. Not his main character. To everyone who can joke, there’s nothing better than Reynolds, but as an AI, Guy doesn’t work. Not literally too much to get, though Artificial intelligence it is shaped by the data received. If Guy had been living and learning in a world made up of violent trolls, he would probably have absorbed their paths. At best he would receive colored jokes; at worst he would end up like Tay, who only needed 12 hours on the Internet to “convert” that Microsoft Twitter chatbota weak racist denier of the Holocaust. ”And the truth is, it’s probably not the worst. Free Guy Having a world of players and Internet fans can re-evaluate how they think about an NPC as they see each other again; maybe he could just see people he met in virtual worlds as a person. He may be the best gag in the movie.
It’s the same thing about the internet and metaverse, and yet one functions as a fully realized part of daily life and the other today a word of fashion, continues in its infancy. Unlike Neal Stephenson’s dystopian view Snow Crash, concept metaverse today—Mark Zuckerberg Facebook wants to build—It is a virtual and augmented reality full of human connections, where people work, train, play and do things. It is a place for NFT art Concerts at Ariana Grande Fortnite, the headset tells you funny facts about things you’re watching. There are also more ugly versions, but many modern hopes for metaverse seem to be immersed in concepts similar to Ernie Cline’s OASIS. Ready Player One. The Internet, on the other hand, is a bridge to metaverse, guarded by trolls, and full of misinformation, hatred, misogyny. Worst of all, it’s the place where each person’s narrow thin cover walks freely and wreaks havoc. The Internet and the metaverse may be on the same network, but they are often on very different planes. Free Guy, it seems, he wants to argue that a better virtual world can be created from the first bone on the internet, with the help of an AI made in the hole.
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