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Cable: I threw him an apple. And then I also added a bow tie and graduation hat with the game’s editing tools.
Groo: I think it’s a nice tie. I wish I didn’t cut my hat. And I don’t like that it’s uncomfortable. I fully understand the need for ways for people to interact with what’s happening on the screen, but if there was a small receptacle in the background and it was customary, you would have to throw a ball into the receptacle next to the animal. The purpose of the coup was not something that was a real animal. God, there are so many geniuses working on this game. Did they invent other means of engagement than provoking the animal?
Cable: Do you think that right now, in a pandemic, not everyone has access to nature and can’t go there, is that such a valuable experience?
Groo: I think there is no substitute for the real thing. The advantages that nature gives us, even if you just walk in a city park, outweigh what you get from a screen. If they can teach you something about the importance of the land to an animal – all animals need a home and the houses that animals need are very specific, so it’s a good thing to talk about animal conservation. If science is reported to exist in this rich world of wildlife, it is something more wonderful and amazing than we can dream of. It would be great if the game had something like, “Go outside and see the wild animals, respect and protect them!” or “Don’t please throw things away.” Please do not feed wildlife. This is a game. ”Do they have that anywhere?
Cable: I still haven’t passed the game.
Groo: I recommend adding something like this. If they want to advise me on that, I’m happy.
Cable: Can I tell from these photos that I have a natural talent for photography?
Groo: You can be on the road. You have a good understanding of composition and good concepts about light. You just have to go out and do some practice with the real thing.
Groo and I has discussed the importance of natural photography for conservation efforts. I asked him if he understood the role that nature photography plays in conservation and the role that nature photographers play in protecting and raising awareness of the environment.
Groo: There is a whole genre of photography now conservation photo, where photographers are using photos very hard and taking pictures that tell stories about an animal and its habitat. And then they try to raise awareness to find ways to use these photos so that people can take care of a particular animal or landscape that depends on that animal. They want to spread the word and educate people in different ways, to spread people’s sympathy, and that’s my job really.
And, increasingly, I think nature photographers are realizing that it’s not enough to just take beautiful photos. The state of the world — we are in the sixth great extinction — is making people realize, “Okay, I have to use my photos to make a difference.” And that’s a big part of that ethic. How can we be there as conservation photographers, and not disturb or break the issues and honor them instead? How do we take natural photos when the animal doesn’t bother us? And how do we walk without leaving a trace, without doing any harm?
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