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And then there’s Tali. Traditionally, immunocompromised people are presented with “boy bubble” tropes. Think about it Seinfeld the episode in which the character visits a young man named Donald, confined to a single room and stored behind a sheet of plastic in a germ-free environment. Edo Bubble Boy, A film from the early 2000s, which Jake Gyllenhaal wants us to forget for sure, that his character can only leave his house in a literal plastic bubble. In both cases, the immunocompromised victim is a victim locked up for safety because there is no harm and in front of people. The Seinfeld no sections either show Donald, except for handkerchiefs.
It is true, of course, that no one in our society supports such a removal. Insubordination has to work, it has to interact, and, as with most invisible diseases, we have understanding, disbelief, denunciation of hypochondria, and overreactions. We wore masks before the pandemic, doubled down and will continue to wear them later. We stared at the practitioner, full of questions and accusations, leaving the security guards aside. And even now, as mask orders are dwindling, those taunts are returning.
We exist in a world that is clearly hostile to us, in many ways — and so is Tali.
After living in sterile interstellar ships, the immune systems of Tali and his people have atrophied and forced them to protect their protective clothing. And yet he presented it at first Mass Effect as a young woman on her pilgrimage, deliberately moving away from her fleet, security, and the wider world. He, like me, balances risk and reward. He filters food, takes preventative antibiotics, even if others throw up his appearance and call him a “firecracker rat” and threaten to cough.
He is hesitant and thoughtful with his safety, but he doesn’t let that stop him. After removing her suit for a romantic evening with Shepard, she suffers significantly, smells and has low fever – immunosuppressants often catch a cold after a flight or concert. Talik, however, is very popular and does not regret it. After talking to Shephard (and describing his sinus infection in vivid detail), the encounter “he totally deserved it“.
As Jerreat-Pool says of the Joker, he is a “krip killjoy,” someone who overthrows someone who suffers from a way of presenting the “supposedly” disabled and chronically ill. The disease is generally seen as embarrassing in our current society, which should be kept secret and treated calmly. But Joker’s lust, Tali’s weakness, and Liara’s unique thinking are always evident. No one is hiding who they are or limiting themselves to the prejudices of another. Liara ultimately becomes the most important information broker in the galaxy. Talik will cultivate life beyond the Quarian fleet. Joker repeatedly proves his claims to be “the best damn pilot in the galaxy”.
Even Commander Shepard, the avatar of the player and a super soldier who fulfills fantasy, is not as infallible as one might expect: Shepard undergoes regular examinations and life-saving surgery, especially after no turn weapons into living weapons — they, like many recipients of organ transplants, have scars and trauma and lost years. Or, as Shepard’s Garrus Vakarian, a strong shipmate, says about this renaissance: “If it hadn’t been for a surprise you wouldn’t have been a little confused.”
The games never take pity on that darkness, not even compassion, and they never capture the story of a cure that negates everything that has ever happened before. Instead, Mass Effect recognizes that illness and disability are a part of life and a constant for millions of people.
That said, it’s not a trilogy completely perfect – Thane’s rescue is driven by diagnosis, and Cerberus ’“ altered ”army of humans represents Darth Vader’s evil“ medical device ”stereotype. And the Project: Overlord mission tortures an autistic man with grotesque, graphic, and sound effects that make it “physically uncomfortable to act like someone with real sensory sensations,” Genn says. Two worrying hours are dehumanization and inaccessibility (and probably something that should be left out) Legendary Edition republishing).
Throughout the three games, however, the pros are more than the pros. “There are problems, but there is also the joy of recognition,” says Thane of Roge. The Mass Effect the series understands the realities of living with a disease, as few games have ever had, and more importantly, understands that being disabled or chronically ill doesn’t mean you can’t even save it in some galaxies.
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