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William Gibson published his classic novel Neuromancer almost 40 years ago, but it still feels fresh today. Author of science fiction Matthew Kressel he has been a fan of the book since he read it in 1987.
“When I first read it Neuromancer, everything I had read before was the golden and silver age [sci-fi]”Arthur C. Clarke, Larry Niven, Asimov, all that stuff,” Kressel says in section 477. Guide to the Geek Galaxy podcast. “So when I came across it Neuromancer, “What is this?” This is completely different. “
The science fiction of the 40s and 50s was reminiscent of the future of the consensus of jetpacks, flying cars, and domestic robots. Neuromancer it helped crystallize an alternative vision of the future, dominated by hackers, drugs, and mega-corporations. It was called this dark view cyberpunk, was much more prophetic. “More than any other science fiction book I can think of, Neuromancer it conveys what the future will be like, ”he says Guide to the Geek Galaxy host David Barr Kirtley.
Author of science fiction Sam J. Miller he constantly finds himself rejecting the idea of storytelling because he realizes it Neuromancer beat him. “The ideas are very compelling and exciting,” he says. “If you could rip out half the things in this book and use them in a book, it would be amazing. It wouldn’t feel dated. “
In the 90s, Gibson largely abandoned the cyberpunk genre, focusing on novels of the present and the near future. Horror author Theresa De Lucci he is a Gibson fan at every stage of his career.
“It was kind of like the gold standard [cyberpunk] the movement at the time, “he says.” But time goes on. His novels have completely changed in focus and scope, so he’s still doing his thing, and he’s usually true to his voice and his interests. “
Listen to the full interview with Matthew Kressel, Sam J. Miller, and Theresa De Lucci in episode 477 Guide to the Geek Galaxy (above). And see some notable points in the discussion below.
Matthew Kressel in description:
“Someone can’t get into the room without it [Gibson] describing the brand of shoes and what tie they wore and where they got the jacket. In Spook Country there was this hitman, this killer, and he walks into a hotel room and then mentions the kind of metal they used in the bathroom faucets. And I was like, ‘Well … maybe? He is a sensitive killer. It’s wonderful. ‘ … I ask him [Gibson] it is trying to get our attention on how materialistic society has become, that capitalism is all so brainwashed that the first thing they see is the material that someone is carrying, not the person. “
About the representation of Sam J. Miller:
“One of the things I love about William Gibson is how he connects his world. There’s the real politics of Russia, and Japan, and China, and Germany, and the United States, and wealth and poverty. That’s what his books are all about: always very diverse There are always a lot of people from many backgrounds … But it’s a common thing that’s missing. Knowledge of models where he thinks this guy is gay all over the book, and that they are best friends, and in the end he finds out that he is not and they will tie him up. There is a hobby in very small and very replaceable brushstrokes. That’s all I wanted to be different from their worlds. “
About David Barr Kirtley Technology:
I feel like the thing that “this book is doing wrong” is that almost all science fiction is doing it wrong, not being able to see if technological advances will be ubiquitous and commonplace. This book still presents people in a way that only super-special and super-cool people can access, and it doesn’t take that step to say, “wait, no, especially the most ordinary person around this one.” Very speculative jump. I think it’s hard to imagine something that seems so amazing to us and realize, ‘Without waiting, everyone will have this’ ”.
Theresa De Lucci in cyberpunk:
“In the 90s, in the gothic industrial scene, we played with images of cyberpunk. I mean, they were cyberpunk, but then there were the cyberpots – the photos from that era are very embarrassing, a lot of neon hair, plastic and glasses. That was it Matrix before Matrix he came out — and then once Matrix it came out, then it became even more popular and horrible. So William Gibson definitely had a great cult of personality there, I think he would really laugh, because you’ll never meet William Gibson in a goth club. Even the slightest doubt is that he would be in such a place. “
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