The ‘Hidden Palace’, the Edge of the Galaxy and the Place It Works
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At Disneyland, however, most of the odd historical details also make up. In Disney parlance, sections of theme-themed parks are called “lands” (like Tomorrowland), and the new Avengers Campus, not based on a fairy tale but based on the Marvel Cinematic Universe, began in 2008 with Marvel Comics-derived movies and TV shows. Iron Man and continue, this week, with the Disney + show Loki. Like cinema, this physical version of the universe of decades-long comic stories has all sorts of formative histories. One of the attractions is built inside an old car factory owned by Howard Stark, Tony Stark, the man inside the Iron Man armor, owned by Father Howard Stark. It’s an impossible historical gesture for that Southern California side, even if it’s not true – Philip K. Dick is an imaginable gloss on the concept of “historicity,” lines of detail in the form of history that add to the real patina. Amusing!
In the meantime, you can walk for about 20 minutes through the theme park another one earth centered different Disney-owned shared story universe—The Edge of the Galaxy, Based on the franchise of Star Wars movies, TV shows, books, and more. The Marvel Universe Cinematography and the Star Wars Universe have prescribed time lines and geographies, as well as the occasional time-wimey shenanigans you might expect in any science fiction show. the universe. They both have their own history.
With the exception of the Avengers Campus, they are like other things to do and see at Disneyland because it has a certain timelessness. Mr. Toad’s Wild Ride is not on the mrtoadiverse timeline. But the Edge of the Galaxy occurs on a specific planet in the Star Wars universe (“Merge”), rather than at a specific time. On a specific day, even if repeated, reset. What do I have it was described when it opened as a chronotopic property – a temporal narrative like books and films, and also a spatial narrative, like other immersive theme park environments. It’s ambitious, but it means, for example, that performers dressed in stormy outfits should be in more angular white armor from the latest trilogy in the latest film — in the old style seen. Star Wars or it would be anachronistic clone armor from the previous trilogy.
Now, okay, I know: a book is not a theme park. But let me explore three options here: historical fiction, science fiction things set in the real world of the past, the familiar physics of our universe, and real historical events as a driving force. Here for my purposes, that’s it Hidden Palace. You have a spatial and immersive narrative set in a set time and place, but with rigid (albeit fictional) events and guide rails. That’s the Edge of the Galaxy, or any other fictional or future universe — an expanse, perhaps, or a Middle-earth. And you have the Avengers Campus, set in a fictional universe, with spatial guide rails, but not temporal ones. Timey-wimey wibbley-wobbley da.
This is the digital ectoplasm that Twitter makes. Do the details of the territories adhere to the canon and chronology? And you can see the point. Well, actually, let me review that — no, you can’t. But it could be true that the ruthlessness of enforcing the chronotopic state of Galaxy Edge builds loyalty — which is very important for a transnational corporation with intellectual property — by limiting narrative flexibility. On the Avengers Campus, someone dressed as Iron Man can live “together” with an actor in the Sam Captain version of the American Captain costume, even though in the story Sam didn’t become an American Captain until after Iron Man’s death. You just have to go with him. But in Galaxy’s Edge, Darth Vader can’t appear; he died a couple of films ago, and disappeared with a pop along with the entry. (Even Vader can participate in Jedi training in Tomorrowland because it is off the timeline.)
When some aspects of the game’s mechanics, its rules, and the way it is played contradict the game story, which is called “playful dissonance.” Pieces, cards, whatever can do something within the rules that violates the narrative superstructure. (If chess is a battle between two opposing armies, are the players generals? And if so, why can they order the king? Maybe that’s a playful dissonance; that is, players have exciting fights.) So Darth Vader’s Galaxy’s Edge would be a park. thematic equivalent – chronotopic dissonance, perhaps. But Iron Man from a seemingly renovated Stark factory wouldn’t.
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